Showing posts with label Ostrale. Show all posts
Showing posts with label Ostrale. Show all posts

Friday, August 03, 2012

Contemporary Art - Homegrown


Every year for 2 months the Ostrale invites national and international artists  to take part in a remarkable event at a historical site. The Hans-Erlwein-slaughterhouse offers 15.000 m² exhibition space and an outdoor area more than three times larger. You hardly encounter other visitors and especially a grey sky adds to the post-apocalyptic atmosphere, that creeps upon me in the old halls.

With the issue "homegrown" the OSTRALE/ 012 is dedicated to the self-cultivated or self-grown and is principally asking for localizing creative impetuses in a spatial, temporal and cultural context.

Focus of attention is the relationship between tradition and innovation.



There were  works that really stood out to me. I will just post a very small selection.

Heinz Bert Dreckmann, City
Fabian von Spreckelsen, Trophy Marlin, Elephant and Deer


Sybille Walenciak, work in progress

Nikola Dicke, Tapisserie




Maria Trialoni, Retrospective Re-statements
Michael Wahrenberg, Die Türe zum Erfolg







































See you at OSTRALE/ 013!






Friday, August 19, 2011

Contemporary Art - Slaughter house Five









The exhibtion "Slaughterhouse Five" is inspired by and named after a book by Kurt Vonnegut. The story is set in the area of the Ostrale. The site used to be a natural resort, in the 20th century it became Dresden's main slaughterhouse. Today the former fattening stables, slaughterhouse, heylofts, fatmelting house, cold storage house, abbatoir refuse processing halls - all this has been transformed into exhibiting space.

The atmosphere at the Ostrale gave me goosebumps. It's really freaky there. The setting is frightening and seems almost otherworldly. The day I was there, my friend and I were nearly the only visitors. Being alone in a place of such horrible history (especially for me, the "almost vegan") added an extra flavour to the exhibited pieces.

Some artists had been inspired by the slaughterhouse theme itself. There were photorealistic paintings, sculptures and weird installations. Overall I was struck with the darkness of imagination that must have been necessary to create such art. One huge hall for example was filled with dozens of rows of human-looking bodies hanging on ropes from the ceiling - without heads. In the background enormous pigs, wearing clothes.

Other pieces were weird (sculpture of shitting dog, called "The Shitting Dog), monotonous (installation: a film of sheep grazing projected on wall), or too abstract to recognise anything. Then there were some rather detached from the theme which were my personal favourites.


Overall I do recommend you visit. My report may turn you away from the Ostrale, but I think it's an experience like no other. And despite all the horror I went feeling hopeful and lighthearted. A very mind soothing exit is guaranteed thanks to the "Vegan Garden" snack bar!